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ancientart:

Askos with painted scenes and applied figures. 

Dating to about 270-200 BCE, this askos was found at Cuma in Campania, Italy, and was made at Canosa, Apulia (modern Puglia).

Vessels of this type were evidently not intended to be functional, and were often made to be placed inside tombs. The British Museum houses another Canosan vessel shaped like a head, which you may view hereCanosa was a highly important city of ancient Apulia, which, although influenced by the Greeks, was able to maintain its local culture through to Roman times.

This vase is basically an askos, a simple globular spouted vessel of a shape found in Italy for over two millennia. By the Hellenistic period askoi were over-burdened with a wealth of decoration. This example has two winged horses flying over a brown sea on a pink background. Three winged figures of Nike or Victory stand on the false spouts and handle, and foreparts of horses spring from the body of the vessel. The applied reliefs depict a winged head of the gorgon Medusa and a dancing maenad, a follower of Dionysos. (BM)

Courtesy of & currently located at the British Museum, London, GR 1862.7-12.2. Photos taken by SpirosK photography.

vanityfair:

Lena Dunham Takes the Proust Questionnaire

What is your idea of perfect happiness?Unmade bed surrounded by books, writing utensils, and the dog; a plate of demolished toast with butter on my chest; loved ones puttering not too close but not too far.

What is your greatest extravagance? I’m quite frugal, but my dog has a whole staff.

Which living person do you most despise? That bitch knows who she is.

What is your motto? (Shrugs) “I didn’t ask to be born.”

Read more here

Illustration by Risko. 

saatchiart:

Each week, we showcase an emerging artist from around the world who is already garnering attention for their work.

What are the major themes you pursue in your work?
The human experience, femininity, and isolation seem to show up over and over in my work. In my latest watercolor series, I tried to explore human emotions. I grew up in a family that is part Asian, which tends to discourage emotional expression, especially in women. I think this series in part resulted from me exploring and trying to understand my upbringing’s effect upon me.

Check out our exclusive look at artist Lisa Krannichfeld.

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